WB TV arm button snaps up BlazHoffski

LONDON -- Warner Bros. has added another European shingle to its portfolio of production companies. Warner Bros Intl. Television Production has acquired a big part stake in BlazHoffski Holding, the Nederlander- and Belgium-based shingle, to have an undisclosed sum. Warners will distribute BlazHoffski's formats and handle product worldwide. Announcement is made by London-based Ronald Goes, executive Vice president and mind of WBITP, and BlazHoffski Holding Boss Taco Ketelaar. Founded in 1996 by Serta Blazer and Erik van der Hoff, BlazHoffski is an expert in unscripted and reality fare including "Hello Goodbye," "Decipher It Out," "Intensive Caring," laffer "Tower C" and "CIA," produced by Dahl TV, a business acquired by BlazHoffski this past year. Warners stated following its acquisition of Shed Media within the U.K., the purchase of the majority stake in BlazHoffski "marks the next phase within this proper growth initiative." The studio purchased a 55% stake in Shed, most widely known to make "Supernanny," in August 2010 inside a deal stated to become worth around $160 million. "Our objective would be to partner with the perfect talent in each key market," Goes stated. "BlazHoffski includes a strong creative and commercial history, a great management team and outstanding broadcaster associations. "I know that, included in Warner Bros., BlazHoffski will continue doing much more of the things they're doing best -- create and convey top quality content that may become franchises and become released to produce local versions in other marketplaces all over the world.Inch Contact the range newsroom at news@variety.com

Mark Gordon Sells Burglar Alarm Comedy to ABC (Exclusive)

Mark Gordon has offered another comedy to ABC.our editor recommendsExclusive Q&A: Hot Producer Mark Gordon Unveils What TV Projects the Systems Are BuyingMark Gordon Signs Start Searching Deal With Disney The project, The best way to Survive a home Invasion, can be a multi-camera sitcom of a type A, Obsessive-compulsive disorder burglar alarm specialist who finds themselves being pressed from his safety zone when his college-age boy and also the senior citizens mother both relocate with him. David Katz ($#*! My Dad States) is installed on pen the ABC Art galleries-based project. Mark Gordon Companycomedy headAndrea Shay andGordon assists as executive producers. What is the news follows other sales for Gordon's shingle, including comedies afterMoe Jelline'sGenerationEx,Scott King'sStuck in ReverseandVirtual Virgin. Round the drama side, the prolific producer has inked deals fora contemporaryMiami Vice-style crime dramaUntouchable, aCrazy Stupid Love-esque emotional proceduralWinging Itand anadaptation of his filmSource Codeat CBS, among others. Katz and Gordon are usually repped by ICM. Email: Lacey.Rose@thr.com Twitter: @LaceyVRose Related Subjects ABC TV Development The Aim Gordon Company

Hugh Jackman: Real Steel Is The First Of My Movies My Kids Like

LOS ANGELES, Calif. -- Hugh Jackman has finally made a film that gets the stamp of approval from his two children. The actor might be best known for playing X-Mens Wolverine (in movies that son Oscar, 11, daughter Ava, 6, have yet to see), but Hughs kids are all about giant boxing robots. This is the first time theyve really connected with one of my films. I dont let them watch X-Men, Hugh told Access Hollywood at the Real Steel junket in Los Angeles on Saturday. Most of the time they dont really ask me much about my job. They come on set, but its just dad, its normal, he continued. This is the first time they were like, We love this! And they wanna take their friends. They have all the action figures. My son sleeps with Adam the robot. Hugh said that his sons love of the Real Steel script helped seal the deal on him doing the movie. I read this script for the first time with my son I was like being a bad parent and instead of reading Tintin, I read Real Steel and my son made me read it to him for the next 10 nights, he explained. So, I knew we were on to a winner then. Hugh also chatted with Access about his recent WWE appearance where he was seen going Real Steel on wrestler Dolph Zigglers face. It is scripted entertainment, but I gotta tell you, what goes on in that ring is real! he told Access. [Dolph] is looking at me saying, You hit me man! He goes, Dont you embarrass me out there. So I take direction well. But did Hugh fracture Dolphs jaw as the wrestler claimed on Twitter following the September 19 event? I think hes exaggerating. Dolph likes to exaggerate, Hugh said with a smile. I did send him a case a beer afterwards. In Australia we have a beer after we fight. Real Steel bashes its way into theaters on October 7. Copyright 2011 by NBC Universal, Inc. All rights reserved.This material may not be published, broadcast, rewritten or redistributed.

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Outfest to Recognition Director Adam Shankman

Director Adam Shankman will probably be honored by Outfest, the Los Angeless organization which inspires lesbian, gay, bisexual and transgender film, when the group presents him having its Visionary Award at its annual Legacy Honours ceremony within the DGA Theater on March. 29.The large event, a fundraiser event for your Outfest Legacy Work with LGBT Film Upkeep, a collaboration between Outfest as well as the UCLA Film & Television Archive, will even present its Protector Award to Lifetime Systems.Shankman, which has directed such films as "Decreasing the home,Inch "Hairspray" as well as the approaching "Rock old range" and TV cases of "Glee" and "Modern Family," continues to be famous for his contribution to LGBT arts and media visibility."Adam Shankman's body at work remains inspiring and significant to numerous inside our community. From pointing films and tv shows like 'Hairspray,' 'Glee' and 'Prop 8: The Musical,' to his choreography in from 'Tank Girl to Boogie Nights,' Adam's singular achievements have observed a profound impact on the LGBT community making them an ideal people receiving the Visionary Award," Kirsten Schaffer, Outfest executive director, mentioned. Lifetime continues to be honored for "the network's commitment, support and positive depictions of LGBT figures the ones.InchInchLife time reaches an enormous mainstream audience, which causes it to be one of the gay community's best allies," Schaffer added. "Through both its scripted and unscripted programming, including: 'Prayers for Bobby,' 'Project Runway' and 'Drop Dead Diva,' Lifetime offers highly diverse portrayals of LGBT individuals who help Us citizens better understand and accept our community." The Hollywood Reporter

Damaged Glass

A PW Productions Ltd and Tricycle London Productions presentation of the play in 2 functions by Arthur Burns. Directed by Iqbal Khan.Phillip Gellburg - Antony Sher Sylvia Gellburg - Tara Fitzgerald Dr Harry Hyman - Stanley Townsend Margaret Hyman - Caroline Loncq Harriet - Suzan Sylvester Stanton Situation - John Protheroe Arthur Burns notoriously authored an excellent play about American-Jewish assimilation. Regrettably, where that play, "Dying of the Salesperson," treated its subject obliquely with fascinating ambiguity, his 1994 go back to the subject "Damaged Glass" is thuddingly literal. That's certainly the sense shipped by Iqbal Khan's dismayingly heavy-handed West Finish production. A married Jewish couple in Brooklyn in 1938 have hit an emergency. Philip Gellburg (Antony Sher) would go to see his old friend Dr. Hyman (nicely swaggering Stanley Townsend) because he's frightened. His wife Sylvia (Tara Fitzgerald) has all of a sudden found herself paralysed both metaphorically and literally through the disasters she has been reading through about in Nazi-controlled Germany following Kristallnacht -- hence the play's title. Hyman, by their own admission, isn't any psychoanalyst, but his friendship and convenient medical training allow Burns to solve crucial, covered-up difficulties inside the marriage. Both Philip and Sylvia undergo bewilderment and denial about themselves, their relationship as well as their link with their Judaism before wholly foreseeable (melo)dramatic climax where they achieve sudden complete insight. Absorbing because these ideas ought to be, the written text reads much better than it plays, specifically in so serious a staging. Even though production received strong reviews in the initial 2010 outing in the Tricycle theater, its almost wholly recast West Finish transfer has been doing it couple of if any favours. The only holdover in the first outing is Sher within the central role of Philip. Possibly so that they can fill a bigger West Finish house, Sher quivers with anguish in the start with Philip's blind self-absorption already at virtual breaking-point. Thus the greater his fear and self-loathing develops, greater it might be to look at. This level of overt display fatally works against audience connection. Philip informs Hyman that he's unable to express themself rapidly, a line Sher takes very literally. His shateringly slow delivery also highlights his have a problem with the accent, an issue bizarrely shared through the entire company. The result is much like hearing a lot of industrious performers whose intonation keeps sliding off-key. One of the new cast, Fitzgerald costs best as Sylvia, most famously because she underplays her character's trauma. But even her jobs are sandbagged by Khan's overemphatic direction and leaden pacing of both moments and, most importantly, the transitions, which following Miller's directives are supported by cello. Grant Olding's alternately anxious and elegiac music is well-performed but every signal makes its point two times, further slowly destroying the already distended evening of momentum.Sets and costumes, Mike Britton lighting Matthew Eagland seem, Erectile dysfunction Borgnis music, Grant Olding production stage manager, Lizzie Chapman. Opened up, Sept. 14, 2011, examined Sept. 22. Running time: 2 Hrs, 25 MIN. Contact David Benedict at benedictdavid@mac.com

Meet Phoebe Tonkin, The Key Circle's Bad Girl

Phoebe Tonkin The Key Circle's Faye might be labeled the show's resident bad girl, but star Phoebe Tonkin demands that's she just misinterpreted. "She's not necessarily evil she's just misguided and pushes individuals to their limits without recognizing exactly what the effects could be,Inch Tonkin informs TVGuide.com. "And she's not attempting to hurt anybody she's bored, and she or he likes doing miracle." Fall TV: Obtain the lowdown about this season's must-see new shows The Key Circle, which first showed on Sept. 15 to three million audiences, introduced us to some secret coven of youthful ghouls which includes Faye, Adam (Thomas Dekker), Diana (Shelly Henig), Melissa (Jessica Parker Kennedy), Nick (Louis Hunter) and new girl Cassie (Britt Robertson). Together they have became a member of forces because they uncover newly found - and apparently hereditary -- forces. Faye's mother Beginning (Natasha Henstridge) may be the primary reason Faye struggles with morality. "Faye's mother isn't the most 'good' character on the program, and that is the only real type of mentor that she's had becoming an adult," Tonkin states. "There's a little of the energy struggle between the pair of them when Faye begins recognizing her mother is not who she appears. There's likely to be a little of the moral dilemma and she'll either digital rebel or get together together with her.Inch Satisfy The Secret Circle's secret coven of ghouls Tonkin states that Faye has completely different associations with each one of the literally effective youthful women on the program. "Melissa is her partner," Tonkin states. "She's very accustomed to bossing Melissa around and doing what she informs her, but once we explore the series, Melissa will get a little well informed.Inch Tonkin calls Diana, who Faye has known ever since they were small children, the the complete opposite of her and labels her the "goody-goody" from the group. "The many other figures are worried using the energy and duties and Faye can't realise why nobody else realizes that we are these 16-year-old youngsters with witch forces. How isn't that the best factor on the planet?Inch As the initial episodes target the ghouls fine-tuning their abilities, Tonkin states the series will ultimately explore the circle's connections towards the past. "You will find people who want this energy removed from us and we'll see exactly what the elderly of witches' intentions are. There is a whole backstory by what happened towards the parents who died whenever we were really youthful," she states. "Everyone's likely to change sides. The figures you believe are great may finish up being bad and also the bad risk turning good." The Key Circle airs Thursdays at 9/8c on CW.

Kaira Pitt Will not Marry Julia Roberts Until Same-Sex Marriage is Legal in US

The Kaira Pitt media blitz for 'Moneyball' is under way -- take a look at Pitt discuss his new film with Jonah Hill within the latest episode of Moviefone Unscripted -- that has permitted the possibility Best Actor nominee to talk out, once more, in support of same-sex marriage. Don't be prepared to see Pitt and Julia Roberts walk lower the aisle until everybody within the U . s . States is free of charge to marry whoever they please. "I have stated, 'We wouldn't be marriage until everybody within this country had the authority to got married,'" Pitt told Ellen DeGeneres. "We reside in this excellent country that's about liberties -- based on our liberties and equality -- but we allow this discrimination to take everyday. That isn't what we are about. That isn't why is us great. Until that's reserved... I simply do not get it." When requested by DeGeneres in the event that meant Pitt would marry Jolie immediately if same-sex marriage was permitted through the country "in a few days,Inch Pitt stammered: "How do you get free from that one?" The 'Moneyball' star is a lengthy-time supporter from the cause, talking in support of it as soon as 2009. Watch clips from his interview on 'Ellen' below. [through the Insider] Photo: Eric Charbonneau/WireImage

Mindfreaks Criss Angel Engaged

Criss Angel Seems like Criss Angel found anybody to tame his inner freak. The illusionist and star from the&E's Mindfreak is engaged to girlfriend Sandra Gonzalez, People reviews.See the best and worst TV weddingsHe sprang the question on Sept. 7 in Cabo San Lucas, Mexico, and surprised Gonzalez getting a 5-carat gem and platinum ring. The happy couple has not set the state date for that wedding. They met four years ago round the number of Angel's show.Have a look at our fall preview for galleries, scoop, premiere calendars plus much more!Angel is constantly perform in Cirque du Soleil's BeLIEve show at Las Vegas' Luxor Hotel, they is really a part of since late 2008.

'Law & Order' Creator Dick Wolf Talks Casting

Son of an advertising executive, Dick Wolf began his career writing commercials and producing them. He transitioned into TV crime dramas, writing for "Hill Street Blues" and "Miami Vice," and went on to create the "Law & Order" franchise that now spans the globe. From the original "Law & Order" with Jerry Orbach, S Epatha Merkerson, and Sam Waterston, Wolf developed "Law & Order: Special Victims Unit," with Mariska Hargitay and Christopher Meloni, the short-lived "Law & Order: Trial by Jury" with Bebe Neuwirth and Kirk Acevedo, and "Law & Order: Criminal Intent" with Vincent D'Onofrio. When the original "Law & Order" went off the air after 20 seasons, "Law & Order: LA" starring Alfred Molina, Skeet Ulrich and Terrence Howard replaced it for a season. Twenty-two years after the original series debuted, its spin-off "Law & Order: SVU" and the international versions including "Law & Order: UK" continue to thrive. His work has won him two Emmy Awards, as well as a Grammy for "When You're Strange," a documentary on the Doors. Wolf has been involved in the casting process from the early days of his career, and the Casting Society of America is honoring him with a 2011 Career Achievement Artios Award.As a producer and creator, how involved are you in the casting process? Dick Wolf: I am very involved in all principal casting for my shows. I work very closely with [casting director] Lynn Kressel and her team, as well as the network and studio executives. I consider principal casting to be extremely important. The proper casting can make or break a show.What do you expect from actors at the audition? Besides coming in prepared and knowing their lines, are there other things they should do? Wolf: I want actors to understand the character they are playing and to show some depth in their reading, and of course to be prepared.When you do casting calls, are you set with something in mind or are you open to someone completely the opposite of what you had in mind? Wolf: I try to keep an open mind when casting, and there are many factors in the decision. Sometimes it's physical appearancedo you believe that this person could be the character. Sometimes we will look at people more than once, or we feel the actor might have been nervous or not 100 percent, and we give them another shot. So the short answer, is we are as open as possible. Sometimes the person you least expect [to] is the one that nails the audition.Do celebrities come to you because your shows give them the opportunity to do things they normally wouldn'tfor example, Martin Short and Jennifer Love Hewitt? Do you create roles specifically for them? Wolf: Sometimes we have actors playing against type. "SVU" tends to attract incredible guest talent because the roles are so intense. And we have been very lucky: For six years in a row, "SVU" has won the Outstanding Guest Actress in a Drama Series Emmy. And for many of those actors, they were definitely playing against type.Does your advertising background influence your casting choices? Wolf: My advertising background was a terrific foundation, and it gave me the ability to cast under pressure. When you have a client looking over your shoulder, you need to deliver an actor who can perform exactly the way the client wants. When you are casting a television series, you want that perfect fit, too.The Casting Society of America will honor its own when the 27th Annual Artios Awards for excellence in casting are presented on Sept. 26. The awards will be held simultaneously at the Beverly Hilton in Los Angeles and at District 36 in NY City.

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James Franco States He's Adapting Cormac McCarthy's 'Child of God'

At this time, you've most likely virtually quit wondering why James Franco does anything -- be it carrying out a half-assed job of hosting the Academy awards, coming back to 'General Hospital' or shedding from his Broadway debut -- but you need to question about his next project, that they introduced while marketing his documentary about Gus Van Sant. Franco intends to direct the apparently unfilmable tale of the killing necrophiliac, 'Child of God' by 'No Country For Old Men' author Cormac McCarthy. Throughout a Q&A in the Toronto Worldwide Film Festival for his 'Memories of Idaho' doc on Van Sant, Franco stated that his formerly introduced adaptation of McCarthy's 'Blood Meridian' is on hold, but he's moved his focus to a different McCarthy novel, 'Child of God.' The 1973 novel is all about a misfit in rural Tennessee whose unspeakable crimes are allegedly according to an un named historic figure, based on the author. Just in case you skipped it, the Franco-directed aspect of Sal Mineo ('Sal') just first showed in the Venice Film Festival. Younger crowd directed and starred in 'The Damaged Tower,' about American poet Hart Crane. Franco also intends to direct a documentary about Kink.com and the other about his time about the cleaning soap 'General Hospital,' that they keeps coming back to for whatever reason. [via We've Got This Covered] photo thanks to WireImage

Saiorse Ronan and Alexis Bledel Are Just As Confused by Their New Film as You Are

The synopsis of Precious screenwriter Geoffrey Fletcher’s feature directing debut Violet and Daisy sounds straightforward enough: “A brutal fable about a pair of teenage assassins, played by Saoirse Ronan and Alexis Bledel, who believe they’ve landed a straightforward assignment but soon find themselves thrown off their game when their latest target isn’t who they expected.” Evidently, however, that’s not quite what its audience — or even its stars themselves, for that matter — seemed to take away from its Toronto Film Festival premiere. According to the LAT’s Steve Zeitchik, who caught the confounding screening, it went a little like this: Overflowing with whimsical dream sequences, cryptic symbolism and surrealist touches (the main characters tool around on a tricycle), Violet & Daisy features flavors that won’t be to everyone’s taste, and it’s hard to imagine a major distributor taking a flier on it. But even its detractors will concede the film has a degree of style and ambition. […] So bizarre are some of the scenes in Violet & Daisy that at the post-screening Q&A Thursday night, even the actors there to support the film said they found themselves experiencing moments of confusion. “I came in with lots of questions,” Bledel said, “and I still haven’t gotten any answers.” To a query from one member in the audience, Ronan jumped in with: “There are so many bizarre things in this film, so many things left open, it might be better off not to ask questions.” (Her remark prompted Cameron Bailey, the festival co-director who was moderating the session, to quip, “That kind of ruins the Q&A.”) Don’t feel bad, ladies! That’s TIFF for you. I’m still waiting for people to come around on What’s Wrong With Virginia? Give it a couple years, something will work out. · Toronto 2011: An Oscar winner takes an un-Precious turn [LAT] [Photo: Getty Images]

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Listen to a Folk Song Inspired By Poltergeist

Henning Ohlenbusch has more than just one of the most awesome names in contemporary music. He also now has a full-length album of songs inspired by movies. It’s quite the spectrum, too — Planes, Trains and Automobiles, The Straight Story, Amlie, Joe Versus the Volcano, Logan’s Run, Meatballs, The Year My Voice Broke, Superbad and, in an irresistible effort you can hear after the jump, a folk song inspired by that mellow, soothing cinematic bromide known as Poltergeist. The songs are compiled on Ohlenbusch’s new album Henning Goes to the Movies, which is out now. The “Poltergeist,” uh, “video” dropped today (it’s basically a Vegas water feature shot on and iPhone, but hey — “Poltergeist”!), and don’t be alarmed if it doesn’t quite jibe with your impressions or remembrances of the 1982 horror masterpiece. That’s kind of the point, according to the songwriter. “Like everything in life, movies are experienced differently by each viewer,” Ohlenbusch wrote in a statement just over the transom at ML HQ. “On this record, I tried to express in music how these nine films impacted me personally. At the outset, I established one rule: I was not allowed to revisit a film until I composed and recorded the song that it inspired me to write. In this way, I hope that each piece genuinely conveys the ways in which each movie has stuck with me throughout the years. […] It was important to me that each of these songs stands on its own merit. For most of them, the listener might have never even known what the inspiration was had the songs not been titled the way that they are.” Fair enough. You can find the album in its entirety at iTunes, Amazon and Spotify, and there are a few little gems tucked in there. I’m fond of “Superbad” — “”It’s a thought that’s as jarring as the homeroom bells / The next time you see me, I might be someone else” — but you tell me.

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Anonymous: Toronto Review

Lionized in Shakespeare for each other, the Bard takes one about the face in Anonymous, a film that shows him being an illiterate buffoon, barely wise enough to fool Elizabeth's London into thinking he really authored all individuals plays and sonnets. No indeed, within this movie youthful Will is really a mere front for that noble Edward p Vere, Earl of Oxford, one of the most twisted figures in British history but, alas, a good poet that has lengthy had his enthusiasts because the true author of Hamlet, et al. Obviously, others fall into line behind Christopher Marlowe, Francis Sausage, Full Elizabeth herself and possibly the stable boy in the Globe Theater. Anybody but Shakespeare!our editor recommends'Anonymous' Trailer Hits'Anonymous' shoot looking for Germany This really is all historic rubbish, but let us allow students pick to pieces John Orloff'sscreenplay, which handles the worst kind of unverified Elizabethan gossip, outright fabrications and warped details to aid this theory. For the film itself, remarkably, this really is easily director Roland Emmerich'sbest film. Rather than coming in the world or participating in some other type of mass destruction, he really steers a coherent path via a complex little bit of Tudor history while creating a very credible atmosphere of paranoia and intrigue. His British stars deliver their usual reliable performances while designers and digital environmentalist stunningly re-create Elizabethan London right lower towards the tiniest detail. Okay, so you are within an alternate historic reality, however the movie is glorious fun even while it develops progressively implausible. We're not much better than British stars at planting tongues in inspections but giving their all to performances that teeters about the absurd. Rhys Ifansdoes a wise and, yes, noble turn as Oxford, who initiates a political intrigue together with his privately written plays only to discover themself at the middle of a Greek tragedy. David Thewlisas Elizabeth's key consultant, William Cecil, and Edward Hoggas his hunchback boy and successor, Robert, are political associates incarnate: They most likely may find a self-interested motive for visiting the loo. It may sound like stunt casting however the mother-daughter team of Vanessa Redgrave andJoely Richardson, playing the maturing and far more youthful Bess, activly works to perfection. You may quarrel using the movie's interpretation of the great historic figure although not together with her enactors. They're splendid. A lot of the main focus of the very plot-driven film falls on Sebastian Armesto, who plays Will's fellow playwright, Ben Jonson, here cast like a most reluctant go-between within the conspiracy behind "Shakespeare" and even Oxford's initial pick to front for him. Ben grumbles relating to this to some pork actor in the company, a man named Will Shakespeare (Rafe Spall inside a myth-breaking comic performance). Will is really a dim sensational looking vibrant enough to get the chance to defend myself against the role themself as Ben has their own status like a playwright to safeguard. Among the film's many historic problems is it wants the fake authorship to experience the important thing role within the Kent Rebellion of 1601, in which the "fantastic earls," Kent (Mike Reid) and also to a smaller degree Southhampton (Xavier Samuel), involved in a foolhardy though brief coup d'état contributing to Essex's beheading. But "Shakespeare" began creating plays a minimum of eight years just before that moment. As well as the key persuasive fact presented through the film to support its conspiracy claim is the fact that Oxford presented "his" play Richard III, using its hunchback villain to mock Robert Cecil, right before the Rebellion. The issue is the play was really Richard II. Oops. Nonetheless, the film grabs at historic details, mangles them right into a plot worth a John le Carré spy novel and takes the viewer on the breathtaking ride through ye olde London. Especially splendid would be the aerial shots of this illustrate that era's town using the precision of John Stow, the city's first great surveyor. The river city apparently dwells in permanent night time as darkness forms within the town whatsoever hrs and things are poorly lit. In the bear-baiting rings, crowded theaters, filthy roads and also the royal court using its black-and-whitened finery, this is among the best historic depictions of Elizabeth's London yet. Remarkably, it will obtain the theatrical presentations wrong, showing them during the night lit by torches much more realization they were always carried out within the mid-day. However the staging is superbly done, offerring the interaction between declaiming stars and also the "groundlings" within the pit, a crowd that's literally area of the performance. (Most doubtful, however, is the roll-out of rain on stage from overhead sprinklers.) The approaching and goings of opportunistic courtiers in Elizabeth's palaces, the movement of poets, peasants, whores and cut-handbags in contributing to city roads, the city's fascination with conflict and conspiracy - all of this feels absolutely right. The upshot of all of the intrigue is available in a line shipped toward the finish by Robert Cecil. He declares the Tudors "show strange tastes in bedfellows." Which may be the nub from the argument, surprisingly, the Virgin Full dropped a lot of bastards throughout England that even she - and also the sons - lost count. So far as who authored the grandest immortal lines within the good reputation for the British language, let us give Shakespeare the final word: "A rose by other title would smell as sweet." Venue: Toronto Worldwide Film Festival (The new sony Pictures Delivering) production companies: Anonymous Pictures Ltd. Cast: Rhys Ifans, Vanessa Redgrave, Joely Richardson, David Thewlis, Xavier Samuel, Sebastian Armesto, Rafe Spall. Director: Roland Emmerich. Film writer: John Orloff. Producers: Roland Emmerich, Ray Franco, Robert Léger. Executive producers: Volker Engel, Marc Weigert, John Orloff. Director of photography: Anna J. Foerster. Production designer: Sebastian Krawinkel. Music: Thomas Wander, Harald Kloser. Costume designer: Lisy Christi. Editor: Peter R. Adam. No rating, 130 minutes. Toronto Worldwide Film Festival Joely Richardson Vanessa Redgrave Xavier Samuel Roland Emmerich

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